Life £Ó£ô£ù£ì£å Concierge ¤Î ¥×¥é¥¤¥Ù¡¼¥ÈÈÇ
¤³¤Á¤é¤Ï¥×¥é¥¤¥Ù¡¼¥È¤Êµ­»ö¤òÃæ¿´¤Ë¤·¤Æ¤¤¤Þ¤¹¡£
»ä¤ÎÍ«¤¤¤Î½ÐÍè»ö¤â³§ÍͤˤϹ¬±¿¤Î¤­¤Ã¤«¤±¤Ë¡£
¥³¥á¥ó¥È¡¢TB¤Ï¼õÉÕ¤·¤Æ¤ª¤ê¤Þ¤»¤ó¡£¡ÁÉö¤è¤ê¡Á
http://lohasstyle.jugem.jp/
¥¹¥Ý¥ó¥µ¡¼¥µ¥¤¥È

°ìÄê´ü´Ö¹¹¿·¤¬¤Ê¤¤¤¿¤á¹­¹ð¤òɽ¼¨¤·¤Æ¤¤¤Þ¤¹

/ / - / - / - /
¥Ç¥£¡¼¥Î¡¦¥Ð¥ë¥¹¡¡Êª¸ì²è

Dino Valls

¥Ç¥£¡¼¥Î¡¦¥Ð¥ë¥¹¡¡¥¿¥¤¥È¥ëÉÔÌÀ¡¡1980¡Á90ǯ¤Î´Ö


ï¤ÎºîÉʤ«¤È»×¤Ã¤Æ¤¤¤Þ¤·¤¿¤é¡¢¤Ê¤ó¤È¥Ç¥£¡¼¥Î¡¦¥Ð¥ë¥¹¤é¤·¤¤¤ó¤Ç¤¹¡£¤Ï¤¸¤á¤Ï¥·¥§¥¤¥¯¥¹¥Ô¥¢¤Î¡Ö¼Ü¤Ë¤Ï¼Ü¤ò¡×¡ÊMeasure for Measure¡Ë¤Î¥Þ¥ê¥¢¥Ê¤«¤È»×¤Ã¤¿¤Î¤Ç¤¹¡£

¥é¥Õ¥¡¥¨¥ëÁ°ÇÉ¥¸¥ç¥ó¡¦¥¨¥ô¥¡¥ì¥Ã¥È¡¦¥ß¥ì¡¼¤Î¥Þ¥ê¥¢¥Ê¤ËÉÁ¤«¤ì¤¿¥¹¥Æ¥ó¥É¥°¥é¥¹¤¬°õ¾Ý¤Ë¤¢¤Ã¤Æ¡£

Mariana 1851 Sir John Everett Millais, Bt¡¡tate.org.uk

¥¸¥ç¥ó¡¦¥¨¥ô¥¡¥ì¥Ã¥È¡¦¥ß¥ì¡¼  ¥Þ¥ê¥¢¥Ê¡¡1851
¥Æ¡¼¥È¡¦¥®¥ã¥é¥ê¡¼


»÷¤Æ¤Þ¤¹¤è¤Í¡£

¤Ç¤â¥Ç¥£¡¼¥Î¡¦¥Ð¥ë¥¹¤Ï¡¢¤¿¤¤¤Ø¤ó¤Ê¥ê¥¢¥ê¥º¥à³¨²è¤Çͭ̾¤Ç¡¢¤È¤Ã¤Æ¤â¥·¥å¡¼¥ë¤ÊºîÉʤ¬ºÇ¶á¤Ç¤Ï¿¤¯¸«¤é¤ì¤Þ¤¹¡£1980ǯÂå¤ÎºîÉʤˤϡ¢Êª¸ì²è¡¢½¡¶µ²è¡¢¿ÀÏò衩¤¬¤¢¤ê¤Þ¤¹¡£¤³¤Î»þÂå¤Î¥Ç¥£¡¼¥Î¡¦¥Ð¥ë¥¹¤Ï¡ÖÀ»¥¢¥ó¥È¥Ë¥¦¥¹¡×¤âÉÁ¤¤¤Æ¤¤¤Þ¤¹¡£ÄÁ¤·¤¤ºîÉʤǤϥ´¥ä¡¢¥Ù¥é¥¹¥±¥¹¤Î¥Ñ¥í¥Ç¥£¡¢¥ª¥Þ¡¼¥¸¥åºîÉÊ¡£

Rito de tinieblas

¥Ç¥£¡¼¥Î¡¦¥Ð¥ë¥¹ ¡¡¥¿¥¤¥È¥ëÉÔÌÀ °Ç¤Îµ·¼°¡¡1980¡Á90ǯ¤Î´Ö


½÷À­¤¬¼ê¤Ë¤·¤Æ¤¤¤ë¤Î¤Ïè¶×¤Ç¤·¤ç¤¦¤«¡©¤Ä¤¯¤Ã¤Æ¤¤¤ë¤Î¤«¡¢²õ¤ì¤Æ¤¤¤ë¤Î¤«¤ï¤«¤ê¤Þ¤»¤ó¤¬¡¢¸å¤í¤Ë¤Ï3¿Í¤ÎÃËÀ­¤¬·õ¤ò¼ê¤Ë¤·¤Æ¤¤¤Þ¤¹¡£¶âȱ¤Î½÷À­¤È¹õ¤¤È±¤Î½÷À­¡£

Ê̤Êʪ¸ì¤¬É⤫¤ó¤Ç¤­¤Þ¤¹¤¬¡¢¶âȱ¤Î½÷À­¤ÎƬ¡¢¤â¤·¤«¤·¤Æ¼ùÌڤǤ·¤ç¤¦¤«¡©¤½¤ì¤È¤â¸å¤í¤ËÉÁ¤«¤ì¤Æ¤¤¤ë¡©¤³¤Î¥¿¥¤¥È¥ë¤òÃΤꤿ¤¤¤Ç¤¹¡£¢ª¡Ö°Ç¤Îµ·¼°¡×¤À¤½¤¦¤Ç¤¹¡£

Äɵ­¡¡Ê£¿ô¤Îºî²È¤Ë¤è¤Ã¤Æ½ñ¤«¤ì¤¿¥¯¥È¥¥¥ë¥Õ¿ÀÏáÊCthulhu Mythos¡Ë¤Ë¤Ç¤Æ¤¯¤ëË­¾÷¤Î½÷¿À¥·¥å¥Ö=¥Ë¥°¥é¥¹¡ÊShub-Niggurath¡Ë¤Î¿òÇÒ¡£
¡¡
½÷À­¤ËÊѿȤ¹¤ë¤³¤È¤¬¤Ç¤­¤ë¼ùÌÚ¾õ¤Îʪ¤Î²ø¤È¤¢¤ê¤Þ¤·¤¿¡£¤Ç¤¹¤«¤é¶âȱ¤Î½÷À­¤ÎƬ¤Ë¼ùÌÚ¤¬ÉÁ¤«¤ì¤Æ¤¤¤¿¤ó¤Ç¤¹¤Í¡£

/ 19:25 / À¾ÍÎÈþ½Ñ / - / - /
Ophelia ♥ •*¡¯*•.¸¸♥21À¤µª¤Î¥ª¥Õ¥£¡¼¥ê¥¢

Andrey Aranyshev  Ophelia 2007

¥ª¥Õ¥£¡¼¥ê¥¢¡¡2007¡¡¥¢¥ó¥É¥ì¥¤¡¦¥¢¥é¥Ë¥·¥§¥Õ


Andrey Aranyshev  Ophelia 2007

¥ª¥Õ¥£¡¼¥ê¥¢  2006¡¡¥¢¥ó¥É¥ì¥¤¡¦¥¢¥é¥Ë¥·¥§¥Õ


¥ª¥Õ¥£¡¼¥ê¥¢²áµîµ­»ö

¥ª¥Õ¥£¡¼¥ê¥¢ºîÉʲèÁü°ìÍ÷
µ­»ö  Shakespeare's Ophelia

¥·¥§¥¤¥¯¥¹¥Ô¥¢Êª¸ì¤«¤é
µ­»ö¡¡¥Á¥ã¡¼¥ë¥º&¥á¥¢¥ê¡¼¡¦¥é¥à¡¡¡Ö¥·¥§¥¤¥¯¥¹¥Ô¥¢Êª¸ì¡× 1909ǯÈÇ ¥¢¡¼¥µ¡¼¡¦¥é¥Ã¥«¥à¤ÎÁÞ³¨

¥·¥§¥¤¥¯¥¹¥Ô¥¢¤«¤é
µ­»ö  ¥ª¥Õ¥£¡¼¥ê¥¢¡¡ Ophelia

¥ì¥ô¥£¡á¥Ç¥å¥ë¥á¥ë¤Î¥ª¥Õ¥£¡¼¥ê¥¢
µ­»ö¡¡¥·¥§¥¤¥¯¥¹¥Ô¥¢¡Ö¥Ï¥à¥ì¥Ã¥È¡×¤«¤é¡¡°¦¤·¤Î¥ª¥Õ¥£¡¼¥ê¥¢

¥¸¥ç¥ó¡¦¥¨¥Ð¥ì¥Ã¥È¡¦¥ß¥ì¥¤¤Î¥ª¥Õ¥£¡¼¥ê¥¢
µ­»ö¡¡¸Þ·î¤Îé¬é¯¤Ëñññð¤È¥í¥Ó¥ó¡¡¥ß¥ì¥¤¤Î¥ª¥Õ¥£¡¼¥ê¥¢¤«¤é¡¡Millais's Ophelia

2012ǯ¿·µ­»ö
µ­»ö¡¡²Ö¤òŦ¤à¥ª¥Õ¥£¡¼¥ê¥¢ ¡¡Ophelia ­º

µ­»ö¡¡¿å¤ËÉ⤫¤Ö¥ª¥Õ¥£¡¼¥ê¥¢ ¡¡Ophelia ­¹

µ­»ö¡¡¥ª¥Õ¥£¡¼¥ê¥¢¤Î²Ö¡¡¥¸¥§¡¼¥ó¡¦¥¨¥ê¥¶¥Ù¥¹¡¦¥¸¥í¡¼¡ÊJane Elizabeth Giraud¡Ë

Éö¤ÎÊÌ¥Ö¥í¥°
¥ª¥Õ¥£¡¼¥ê¥¢¡¦¥³¥ó¥×¥ì¥Ã¥¯¥¹¤Ë¤Ä¤¤¤Æ¤Ï¤³¤Á¤é
µ­»ö¡¡¥ª¥Õ¥£¡¼¥ê¥¢¡¡¿å¤ÎÀº¡¡²Ö¤Î½÷¿À

20À¤µª¤Î¥â¥À¥ó¤Ê¥ª¥Õ¥£¡¼¥ê¥¢¤Ï¤³¤Á¤é
µ­»ö¡¡¥â¥À¥ó¥Ì¡¦¥ª¥Õ¥£¡¼¥ê¥¢¡¡¥é¥ó¥Ü¡¼¤Î¥ª¥Õ¥§¥ê¥¢

¥ª¥Õ¥£¡¼¥ê¥¢¤Î²»³Ú
µ­»ö¡¡¥ß¥ì¥¤ ¡Ö¥ª¥Õ¥£¡¼¥ê¥¢¡×¤Î²»³Ú



ͧ¿Í¤Îµ­»ö¤«¤é

µ­»ö¡¡¥Ï¥à¥ì¥Ã¥È­¶ ¥Õ¥¡¡¼¥¹¥È¡¦¥Õ¥©¥ê¥ª¤È¥Á¥ã¡¼¥ë¥º&¥á¥¢¥ê¡¼¡¦¥é¥à ¡Ö¥·¥§¥¤¥¯¥¹¥Ô¥¢Êª¸ì¡×¡¡ÁÞ³¨

µ­»ö ¡Ö»í¤ÏÍ­À¼¤Î³¨¡¢³¨²è¤Ï̵À¼¤Î»í¡¡¥Ï¥à¥ì¥Ã¥È¤«¤é¡×

µ­»ö¡¡¡Ö¥ª¥Õ¥£¡¼¥ê¥¢¤Î¶¸µ¤¡×

µ­»ö¡¡¡Ö¶¸¤Ò½÷¥ª¥Õ¥£¡¼¥ê¥¢¡×

µ­»ö¡¡¥ë¥É¥ó¡Ö¥ª¥Õ¥£¡¼¥ê¥¢¡×¡¡Odilon Redon,Ophelia

µ­»ö¡¡¡Ö¥ª¥Õ¥£¡¼¥ê¥¢¡¡3Ëç¤Î¾ÓÁü²è¡×

µ­»ö¡¡¡Ö20À¤µª¤Î¥ª¥Õ¥£¡¼¥ê¥¢¡¡½÷ή²è²È¤È¤½¤ÎÉס×



¡Ê£Ã¡ËFin de siècle¡¡ Hamlet, IV, 7, Ophelia falling into the water ¡¡¡¡Johann Heinrich Ramberg

¡Ê£Ã¡ËFin de siècle¡¡ µ­»ö¡¡¥·¥§¥¤¥¯¥¹¥Ô¥¢ ¥Ï¥à¥ì¥Ã¥È¤È¥ª¥Õ¥£¡¼¥ê¥¢¤«¤é
amlet, IV, 7, Ophelia falling into the water ¡¡Johann Heinrich Ramberg


¥è¥Ï¥ó¡¦¥Ï¥¤¥ó¥ê¥Ã¥Ò¡¦¥é¥ó¥Ù¥ë¥°¤Î¡Ö¥ª¥Õ¥£¡¼¥ê¥¢¡×¤Ï¡¢Ï¢ºî¤Î1Ëç¤ß¤¿¤¤¤Ç¤¹¤Í¡ª¡ÖË´Îî¤È¥Ï¥à¥ì¥Ã¥È¡×¤ËÉÁ¤«¤ì¤Æ¤¤¤ë¥Ï¥à¥ì¥Ã¥È¡¢¥¤¥±¥á¥ó¤Ç¤·¤¿¡£

µ­»ö¡¡¥·¥§¥¤¥¯¥¹¥Ô¥¢ ¥Ï¥à¥ì¥Ã¥È¤È¥ª¥Õ¥£¡¼¥ê¥¢



/ 21:47 / À¾ÍÎÈþ½Ñ / - / - /
¥ä¥³¥Ö¡¦¥ª¥¯¥Æ¥ë¥Õ¥§¥ë¥È Îøʸ¡Ê¥é¥ô¥ì¥¿¡¼¡Ë

Jacob Ochtervelt  The Love Letter(1670-72)  Metropolitan Museum of Art

¥ä¥³¥Ö¡¦¥ª¥¯¥Æ¥ë¥Õ¥§¥ë¥È  Îøʸ¡Ê¥é¥ô¥ì¥¿¡¼¡Ë 1670-72
¥á¥È¥í¥Ý¥ê¥¿¥óÈþ½Ñ´Û

¥ª¥é¥ó¥À²è²È¤Ë¶½Ì£¤Î¤Ê¤¤»ä¤Ë¡¢alei ¤¬¤¿¤Ö¤ó¹¥¤­¤ÊºîÉʤˤʤë¤ó¤¸¤ã¤Ê¤¤¡©¤Ã¤Æ¶µ¤¨¤Æ¤¯¤ì¤¿¤Î¤¬¥ä¥³¥Ö¡¦¥ª¥¯¥Æ¥ë¥Õ¥§¥ë¥È¤Î¡ÖÎøʸ ¡Ê¥é¥ô¥ì¥¿¡¼¡Ë¡×¤Ç¤·¤¿¡£

½÷¼ç¿Í¤È¾¤»È¤ÎÆó¿Í¤È¤â¤¬Èþ¿Í¤µ¤ó¤Ç¡¢¤È¤Ã¤Æ¤â¥¨¥ì¥¬¥ó¥È¡£

¤³¤Î¥ä¥³¥Ö¡¦¥ª¥¯¥Æ¥ë¥Õ¥§¥ë¥È¤Î¡ÖÎøʸ ¡Ê¥é¥ô¥ì¥¿¡¼¡Ë¡×¤Ï¡¢¥Ø¥é¥ë¥È¡¦¥Æ¥ë¡¦¥Ü¥ë¥Õ¡Ê1617-1681¡Ë¤Î±Æ¶Á¤ò¼õ¤±¤¿ºîÉʤÀ¤È¤¤¤¦¤³¤È¤Ç¤¹¡£

¥Ø¥é¥ë¥È¡¦¥Æ¥ë¡¦¥Ü¥ë¥Õ¡Ê1617-1681¡Ë¤Î¥í¥ó¥É¥ó¡¦¥í¥¤¥ä¥ë¡¦¥³¥ì¥¯¥·¥ç¥ó¤Î¡Ö¼ê»æ¡×¡¢¥Ç¥È¥í¥¤¥ÈÈþ½Ñ´Û¤Î¡Ö¿È»ÙÅ١פ¬¤³¤ÎºîÉʤËÅê±Æ¤µ¤ì¤Æ¤¤¤ë¤é¤·¤¤¤Ç¤¹¡£¥ê¥ó¥¯Àè¤Îµ­»ö¤Ë¤ÏξºîÉʤ¬·ÇºÜ¤µ¤ì¤Æ¤¤¤Þ¤¹¤Î¤Ç¡¢¤¼¤Ò¤´Í÷¤¯¤À¤µ¤¤¡£

/ 12:40 / À¾ÍÎÈþ½Ñ / - / - /
¥¨¥ë¡¦¥°¥ì¥³¡¡¡Ö²ùØ¢¤¹¤ë¥Þ¥°¥À¥é¤Î¥Þ¥ê¥¢¡×¤¿¤Á

The Repentant Magdalen (c. 1577).  Worcester Art Museum, Worcester

Øò²ù¤¹¤ë¥Þ¥°¥À¥é¤Î¥Þ¥ê¥¢ 1577ǯº¢¡¡¥¨¥ë¡¦¥°¥ì¥³  ¥¦¥©¡¼¥»¥¹¥¿¡¼Èþ½Ñ´Û



Mary Magdalen in Penitence (1576-78). Museum of Fine Arts, Budapest

Øò²ù¤¹¤ë¥Þ¥°¥À¥é¤Î¥Þ¥ê¥¢ 1576-78¡¡¥¨¥ë¡¦¥°¥ì¥³  ¥Ö¥À¥Ú¥¹¥È¹ñΩÀ¾ÍÎÈþ½Ñ´Û



The Penitent Magdalene (1580-85). Nelson-Atkins Museum of Art, Kansas City.

Øò²ù¤¹¤ë¥Þ¥°¥À¥é¤Î¥Þ¥ê¥¢ 1580-85¡¡¥¨¥ë¡¦¥°¥ì¥³  ¥Í¥ë¥½¥ó¡¦¥¢¥È¥­¥ó¥¹Èþ½Ñ´Û



Mary Magdalen in Penitence (1585-90). Museo Cau Ferrat, Sitges.

Øò²ù¤¹¤ë¥Þ¥°¥À¥é¤Î¥Þ¥ê¥¢ 1585-90¡¡¥¨¥ë¡¦¥°¥ì¥³  ¥«¥¦¡¦¥Õ¥§¥é¥Ã¥ÈÈþ½Ñ´Û



Penitent Magdalen (1605-1610). Private Collection

Øò²ù¤¹¤ë¥Þ¥°¥À¥é¤Î¥Þ¥ê¥¢ 1605-1610¡¡¥¨¥ë¡¦¥°¥ì¥³   ¸Ä¿Í½ê¢


¥¨¥ë¡¦¥°¥ì¥³ºîÉʵ­»ö¥ê¥ó¥¯ ¡¡XAI¡¡¥¨¥ë¡¦¥°¥ì¥³¡¡¥ª¥ë¥¬¥¹Çì¼ß¤ÎËäÁò

¥¨¥ë¡¦¥°¥ì¥³Å¸¤Ë½ÐÉʤµ¤ì¤Æ¤¤¤ë¥Ö¥À¥Ú¥¹¥È¹ñΩÀ¾ÍÎÈþ½Ñ´Û¤Î¡ÖØò²ù¤¹¤ë¥Þ¥°¥À¥é¤Î¥Þ¥ê¥¢¡×¤Ï¡¢¥â¥Ç¥ë¤¬¤¤¤ë¤è¤¦¤Ç¤¹¤Í¡£

¾¤Î¡ÖØò²ù¤¹¤ë¥Þ¥°¥À¥é¤Î¥Þ¥ê¥¢¡×¤È¤Ï´é¤¬°ã¤¤¤Þ¤¹¤è¤Í¡£¥°¥ì¥³¤Î°¦¿Í¥Ø¥í¥Ë¥Þ¡¦¥Ç¡¦¥é¥¹¡¦¥¯¥¨¥Ð¥¹¤È»×¤ï¤ì¤Þ¤¹¡£¤³¤ÎºîÉʤ¬´°À®¤·¤¿¤È¤­¤Ë¥¨¥ë¡¦¥°¥ì¥³¤Î©»Ò¥Û¥ë¥Ø¡¦¥Þ¥Ì¥¨¥ë¤¬ÃÂÀ¸¤·¤Þ¤·¤¿¡£¤½¤ÎÊì¿Æ¤È¤Ê¤ë°¦¿Í¤ò¥Þ¥°¥À¥é¤Î¥Þ¥ê¥¢¤È¤·¤ÆÉÁ¤¤¤Æ¤¤¤¿¤Î¤Ç¤·¤ç¤¦¡£

/ 21:42 / À¾ÍÎÈþ½Ñ / - / - /
Jeanie Tomanek ¥¸¥Ë¡¼¡¦¥È¥Þ¥Í¥Ã¥¯¤ÎÌýºÌ²è

The Bees Apprentice -Jeanie Tomanek


The Bees Apprentice -Jeanie Tomanek

Night Rose


Night Rose

New England Asters by Jeanie Tomanek


New England Asters


Meadow-Jeanie Tomanek


Meadow-Jeanie Tomanek


¥¸¥Ë¡¼¡¦¥È¥Þ¥Í¥Ã¥¯¤ÎºîÉʤÎÃæ¤Ç¤âÌýºÌ²è¤é¤·¤¤ÌýºÌ²è¤ÏÄÁ¤·¤¤¤«¤â¡£ÌýºÌ²è¤È¤¤¤¦¤è¤ê¥¤¥é¥¹¥È²è¤Î¤è¤¦¤ÊºîÉʤ¬Â¿¤¤¤è¤¦¤Êµ¤¤¬¤·¤Þ¤¹¡£

µ­»ö¡¡Jeanie Tomanek  ¥¸¥Ë¡¼¡¦¥È¥Þ¥Í¥Ã¥¯¤Î¤ª²À¤Î¹ñ¤Îʪ¸ì²è

¥¸¥Ë¡¼¡¦¥È¥Þ¥Í¥Ã¥¯¤Ï¥¤¥é¥¹¥È¥ì¡¼¥¿¡¼¤Ç¤Ï¤Ê¤¯²è²È¡£¥Ú¡¼¥Ñ¡¼¤Ç¤Ï¤Ê¤¯ÌýºÌ¡£¤È¤Ã¤Æ¤âÉԻ׵ġ£¥Ú¡¼¥Ñ¡¼¤ËÉÁ¤¯¥¤¥é¥¹¥È¤Î¤è¤¦¡£¿ÀÏääʪ¸ì¤ÎÁÞ³¨¤«¤éÈô¤Ó¤Ì¤±¤Æ¤­¤¿¤è¤¦¤ÊºîÉÊ¡£

µ­»ö¥ê¥ó¥¯¡¡XAI¡¡Jeanie Tomanek ¥¸¥Ë¡¼¡¦¥È¥Þ¥Í¥Ã¥¯¤Î¸¸ÁÛ²è
/ 22:13 / À¾ÍÎÈþ½Ñ / - / - /
¥¸¥å¥ê¡¼¡¦¥Ø¥Õ¥¡¥Ê¥ó¤Î¥É¥ì¥¹¡¡¥Î¥Ã¥È¡¦¥Ç¥Ã¥É¡¦¥¤¥§¥Ã¥È(Not Dead Yet)

Julie Heffernan Self Portrait as Quarry, 2000

¥¸¥å¥ê¡¼¡¦¥Ø¥Õ¥¡¥Ê¥ó¡¡¸»Àô¤È¤·¤Æ¤Î¼«²èÁü¡¡2000



Self Portrait as Quarry

¥¸¥å¥ê¡¼¡¦¥Ø¥Õ¥¡¥Ê¥ó¡¡¸»Àô¤È¤·¤Æ¤Î¼«²èÁü



Julie Heffernan study for portrait as headdress

¥¸¥å¥ê¡¼¡¦¥Ø¥Õ¥¡¥Ê¥ó¡¡½¬ºî¡¡¼«²èÁü¡Ý¥Ø¥Ã¥É¥É¥ì¥¹



Self-Portrait as Post-Script

¥¸¥å¥ê¡¼¡¦¥Ø¥Õ¥¡¥Ê¥ó¡¡ÄÉ¿­¤È¤·¤Æ¤Î¼«²èÁü



Julie Heffernan, Self-portrait as Not Dead Yet

¥¸¥å¥ê¡¼¡¦¥Ø¥Õ¥¡¥Ê¥ó¡¡¼«²èÁü¡¡¤Þ¤À»à¤ó¤Ç¤Ê¤¤
¡Ö¥Î¥Ã¥È¡¦¥Ç¥Ã¥É¡¦¥¤¥§¥Ã¥È(Not Dead Yet)¡×



/ 14:31 / À¾ÍÎÈþ½Ñ / - / - /
¥¯¥é¥Ê¥Ã¥Ï¤ÎÀ»Êì»Ò¡¡Madonna and Child by Lucas Cranach the Elder



¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¢¤¢¤ë¤¤¤Ï¹©Ë¼ºîÉÊ
À»Êì»Ò¤ÈÍÄ»ÒÀ»¥è¥Ï¥Í


¥¯¥é¥Ê¥Ã¥Ï¤ÏÄÓÜؤΤ«¤ï¤ê¤ËÉòƺ¤ò¥­¥ê¥¹¥È¤Î¼õÆñ¤È¤·¤Æ¤âÉÁ¤¤¤Æ¤¤¤Þ¤¹¡£ ÎӸ顢Éòƺ¡¢°ìÀÚ¤ì¤Î¥Ñ¥ó¤Ê¤É¤ò¼ê¤Ë¤·¤Æ¤¤¤ëÍĻҥ¤¥¨¥¹¡£

Lucas Cranach the Elder (1472-1553), Madonna and Child in a Landscape, circa 1518

¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡É÷·Ê¤ÎÃæ¤ÎÀ»Êì»Ò¡ÊÉòƺ¤ÎÀ»Êì»Ò¡Ë
¥Î¡¼¥¹¥«¥í¥é¥¤¥ÊÈþ½Ñ´Û




¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡Éòƺ¤ÎÀ»Êì»Ò
¥¢¥ë¥Æ¡¦¥Ô¥Ê¥³¥Æ¡¼¥¯


The Virgin and child with the infant Saint John

¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡À»Êì»Ò¤ÈÍÄ»ÒÀ»¥è¥Ï¥Í
¸Ä¿Í½ê¢




¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡Éòƺ¤ÎÀ»Êì»Ò¤ÈÍÄ»ÒÀ»¥è¥Ï¥Í
¥³¥Ú¥ó¥Ï¡¼¥²¥ó¹ñΩÈþ½Ñ´Û


The Virgin with Child with a Bunch Grapes Museo Thyssen-Bornemisza

¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë Éòƺ¤ÎÀ»Êì»Ò¡¡1508-10
¥Æ¥Ã¥»¥ó¡¦¥Ü¥ë¥Í¥ß¥Ã¥µÈþ½Ñ´Û




¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡À»Êì»Ò¡¡1535°Ê¹ß
¥ï¥·¥ó¥È¥ó¡¦¥Ê¥·¥ç¥Ê¥ë¡¦¥®¥ã¥é¥ê¡¼




¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¹©Ë¼ºîÉÊ¡¡Éòƺ¤ÎÀ»Êì»Ò 1537
¥³¡¼¥Ö¥ë¥¯¡¦¥Õ¥§¥¹¥Æʸ²½ºâÇîʪ´Û


Madonna and Child  1540 Jack Kilgore

¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡À»Êì»Ò¤ÈÍÄ»ÒÀ»¥è¥Ï¥Í 1540
¥ª¡¼¥¯¥·¥ç¥ó¥Ï¥¦¥¹ ¥¸¥ã¥Ã¥¯¡¡¥­¥ë¥´¥¢


Lucas Cranach the Elder  The Virgin and Child holding a piece of bread¡¡1529 Kunstmuseum Basel

¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡°ìÀÚ¤ì¤Î¥Ñ¥ó¤ÈÀ»Êì»Ò¡¡1529
¥Ð¡¼¥¼¥ë»ÔΩÈþ½Ñ´Û


Young Mother with Child¡¡Private collection

¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡¼ã¤¤Êì¤È»Ò¡¡
¸Ä¿Í½ê¢




¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡À»Êì»Ò
À»¥ä¥³¥Ö¶µ²ñ


Sainte Anne, la Vierge et lEnfant Jésus Allemagne, Aschaffenbourg, Bayerische Staatsgemäldesammlungen

¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡À»¥¢¥ó¥Ê¤ÈÀ»Êì»Ò
¥Ð¥¤¥¨¥ë¥ó½£Î©³¨²è¥³¥ì¥¯¥·¥ç¥ó




¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡ÍĻҤ˼øÆý¤¹¤ëÀ»Êì¡¡1530-35
¥é¥¤¥×¥Ä¥£¥Ò¤·ÁÈþ½Ñ´Û


The Virgin Suckling the Child Szépmuvészeti Múzeum, Budapest

¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡ÍĻҤ˼øÆý¤¹¤ëÀ»Êì¡¡1512-16
¥Ö¥À¥Ú¥¹¥ÈÀ¾ÍÎÈþ½Ñ´Û




¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡À»Êì»Ò¤ÈÍÄ»ÒÀ»¥è¥Ï¥Í 1530
¥³¡¼¥Ö¥ë¥¯¡¦¥Õ¥§¥¹¥Æʸ²½ºâÇîʪ´Û


Lucas Cranach the Elder Madonna with Child, ca. 1518 Staatliche Kunsthalle Karlsruhe

¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë À»Êì»Ò¡¡1518
¥«¡¼¥ë¥¹¥ë¡¼¥¨½£Î©Èþ½Ñ´Û


Lucas Cranach the Elder Madonna with Child 1518

¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë À»Êì»Ò¡¡1518
¥ï¥ë¥é¥Õ=¥ê¥Ò¥ã¥ë¥ÄÈþ½Ñ´Û


Lucas Cranach the Elder Madonna and Child  Głogów Madonna 1518

¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë À»Êì»Ò¡¡¡Ê¥°¥¦¥©¥°¥Õ¤ÎÀ»Êì»Ò¡Ë¡¡1518


Lucas Cranach the Elder, Madonna with child under the apple tree. (1531) State Hermitage Museum, St. Petersburg

¥ë¡¼¥«¥¹¡¦¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡¡ÎÓ¸é¤ÎÌڤβ¼¤ÎÀ»Êì»Ò 1530
¥¨¥ë¥ß¥¿¡¼¥¸¥åÈþ½Ñ´Û




¥¯¥é¥Ê¥Ã¥Ï¡ÊÉã¡Ë¡õ¡Ê»Ò¡Ë¤ÎºîÉʵ­»ö¤Ï¤³¤Á¤é¤«¤é¡¡XAI¡¡¥¯¥é¥Ê¥Ã¥Ï¡¡»°°Ì°ìÂΤȻà¤ó¤ÀÃË



/ 21:04 / À¾ÍÎÈþ½Ñ / - / - /
¥Ç¥ó¥Þ¡¼¥¯¤Î²è²È¡¡¥¨¥ß¥ê¡¼¡¦¥¯¥ê¥¹¥Æ¥ó¥»¥ó

Emilie Christensen   Ung kvinde i lette

Ung kvinde i lette gevandter foran spejlet
Emilie Christensen by Bruun Rasmussen


¤¢¤±¤Þ¤·¤Æ¤ª¤á¤Ç¤È¤¦¤´¤¶¤¤¤Þ¤¹¡£

¥Ç¥ó¥Þ¡¼¥¯¤Î²è²È¡¢¥¨¥ß¥ê¡¼¡¦¥¯¥ê¥¹¥Æ¥ó¥»¥ó¡Ê1872-1922¡Ë¤ÎºîÉÊ¡¢¡Ö¸÷¤ÎÃæ¡¢¶À¤ÎÁ°¤Ç¿ÈÁ¶¤¤¤ò¤¹¤ë½÷À­¡×¤Ç¤¹¡£º£Ç¯¤â¸÷¤êµ±¤¯Ç¯¤Ç¤¢¤ê¤Þ¤¹¤è¤¦¤Ë¡£


/ 12:30 / À¾ÍÎÈþ½Ñ / - / - /
¥í¥¸¥§¡¦¥Ö¥¾¥ó¥Ö ¡Ö¥é¡¦¥×¥é¥ó¥»¥¹¡¦¥¸¥ç¡¼¥Ì¡×¡Ê²«¿§¿Í¤Î²¦½÷)



¥í¥¸¥§¡¦¥Ö¥¾¥ó¥Ö ¥¢¥Õ¥ê¥«¤Î¥É¥é¥à¤È²«¿§¿Í¤Î²¦½÷


¤³¤ÎºîÉʤΥ¿¥¤¥È¥ë¤Ë¤¢¤ë¡Ö²«¿§¿Í¼ï¤Î²¦½÷¡×¤Ï³§ÍͤâÃΤäƤΤȤª¤ê¡¢¥«¥ß¡¼¥æ¡¦¥µ¥ó¡á¥µ¡¼¥ó¥¹¤¬ºî¶Ê¤·¤¿¥ë¥¤¡¦¥¬¥ì¤Î¥ª¥Ú¥é¤ÈƱ¤¸¤Ç¤¹¡£

¥ª¥Ú¥é¤ÎÊý¤Ï¡¢ÉâÀ¤³¨¤ËÌ´Ãæ¤Ë¤Ê¤ë·Ý½Ñ²È¤ËÎø¤¹¤ë¾¯½÷¤Î¡ÖÉâÀ¤³¨¡×¤Ø¤Î¼»ÅʤÎʪ¸ì¤Ç¡¢¥¸¥ã¥Ý¥Ë¥º¥à¡£

¥í¥¸¥§¡¦¥Ö¥¾¥ó¥Ö¤Ï¥¢¥Õ¥ê¥«¤Î¥É¥é¥à¤È²«¿§¿Í¤Î²¦½÷¤òÁȤ߹ç¤ï¤»¤Æ°Û¹ñ¾ð½ï¤ò°õ¾Ý¤Ä¤±¤Æ¤¤¤Þ¤¹¡£¥í¥¸¥§¡¦¥Ö¥¾¥ó¥Ö¤Ï¡¢¥â¥í¥Ã¥³¤Ëι¤ò¤·¤Æ¡¢¥¢¥Õ¥ê¥«¤Î¥¨¥­¥¾¥Á¥·¥º¥à¤ÊºîÉʤò¿¿ôÀ©ºî¤·¤Æ¤¤¤Þ¤¹¡£

¥â¥í¥Ã¥³À轻̱¤Î¥Ù¥ë¥Ù¥ë¤ÎÅÁÅýÍͼ°¤äÀ¸³èÍͼ°¤òÉÁ¤¤¤¿ºîÉʤϡ¢¥¢¥Õ¥ê¥«¤ÎÌ©ÎÓ¤äÇ®ÂÓµû¡¢Ì±Â²°áÁõ¤òÌ¥ÏÇŪ¤ËÉÁ¤¤¤¿¤ê¡¢Ãê¾ÝŪ¤ËÉÁ¤¤¤¿¤ê¡¢¥Þ¥Æ¥£¥¹¤Î¥Õ¥©¡¼¥ô¥£¥¹¥à¡ÊÌî½ÃÇÉ¡Ë¡¢¥â¡¼¥ê¥¹¡¦¥É¥Ë¤Î¥Ê¥ÓÇɤΤ褦¤Ë¿§ºÌ»¿Èþ¤ÎºîÉʤ¬Â¿¤¯¡¢³¨Ëܤäʸ³Ø¤ÎÁÞ²è¤Ë¤â¸«¤¨¤Þ¤¹¡£

¥¿¥Ú¥¹¥È¥ê¡¼¤Ë¤â¿¤¯»ÈÍѤµ¤ì¤Æ¤¤¤ë¥í¥¸¥§¡¦¥Ö¥¾¥ó¥Ö¤Î²è¤Ï¡¢Èà¤ÎºîÉʤˤ¢¤ë¥æ¥Í¥¹¥³¤ä¥Ð¥ê¡¼¡ÊBally¡Ë¤Ê¤É¤Î¸½ÂåŪ¤Ê¥Ý¥¹¥¿¡¼¤È¤Ï°ìÌ£°ã¤¤¤Þ¤¹¤Í¡£

¥í¥¸¥§¡¦¥Ö¥¾¥ó¥Ö¤Ë´Ø¤·¤Æ¤Ï¡¢¤³¤Á¤é¡£
ºîÉÊ¥ê¥ó¥¯µ­»ö¡¡XAI ¡Ö¥í¥¸¥§¡¦¥Ö¥¾¥ó¥Ö ¥Ï¡¼¥ì¥à¡×¤«¤é

/ 10:28 / À¾ÍÎÈþ½Ñ / - / - /
¥¸¥ã¥ó¡¦¥¬¥Ö¥ê¥¨¥ë¡¦¥É¥Þ¡¼¥° ¥â¥À¥ó¡¦¥¢¡¼¥È



ÎÓ¸é¤Î²Ö¤ÎÌڤβ¼¤ÎÍÙ¤ê»Ò¡¡1918
¥¸¥ã¥ó¡¦¥¬¥Ö¥ê¥¨¥ë¡¦¥É¥Þ¡¼¥°¡¡Galerie AUZERAL


¥¸¥ã¥ó¡¦¥¬¥Ö¥ê¥¨¥ë¡¦¥É¥Þ¡¼¥°¤Î¡Ö²Ö¤Î½÷À­¡×°ÊÁ°¤Î¡ÖÎÓ¸é¤Î²Ö¤ÎÌڤβ¼¤ÎÍÙ¤ê»Ò¡×¤Ç¤¹¡£¥Ñ¥ê9¶è¤Ë¤¢¤ë¥®¥ã¥é¥ê¡¼¤ËŸ¼¨¤µ¤ì¤Æ¤¤¤Þ¤¹¡£¥¸¥ã¥ó¡¦¥¬¥Ö¥ê¥¨¥ë¡¦¥É¥Þ¡¼¥°¤Î¿åºÌ¤Ë¤Ï¥¢¡¼¥ë¡¦¥Ç¥³É÷¤ÊºîÉʤ⿤¤¤Ç¤¹¡£



¥¸¥ã¥ó¡¦¥¬¥Ö¥ê¥¨¥ë¡¦¥É¥Þ¡¼¥° ¡¡¥¿¥¤¥È¥ë¡¢½ê¢ÀèÉÔÌÀ


¤³¤Î¥Ý¥¹¥¿¡¼¤ÎÈÎÇä¤Ï¡Öxiamenoilpainting¡×¤Ç¤¹¡£¤È¤³¤í¤¬¡¢¤³¤³¤Ë¤â¥¿¥¤¥È¥ë¤âÀ©ºîǯ¿ô¤âÉÔÌÀ¤Ç¤·¤¿¡£¡ÖLe canapé bleu ou la douce illusion¡×¡ÊÀĤ¤¥½¥Õ¥¡¡¼¤Ç¤ß¤ë¸¸ÁۡˤȤ¤¤¦¥¿¥¤¥È¥ë¤Î¤â¤Î¤Ë¤½¤Ã¤¯¤ê¤Ç¤¹¤¬¡¢¥É¥ì¥¹¤Èȱ·¿¤¬°ã¤¤¤Þ¤¹¡£

/ 22:47 / À¾ÍÎÈþ½Ñ / - / - /
1/2PAGES >>